Back in the “good ‘ol days,” many of the television programs that aired on the big three TV networks (ABC, CBS, and NBC) were Westerns, rural-based sitcoms, and police dramas that kept audiences on the edge of their seats. Since the 1950s, Westerns in particular had invaded the television landscape like the cowboys of old had done with the American West. Gunsmoke and Bonanza were among some of the most popular programs and were also some of the most prolific. But one day, it all came to an end, and television changed forever. It was called the “rural purge,” and it happened so suddenly that just about everyone was caught off guard. Here’s what happened.
Many Rural-Themed Shows Were Cancelled in 1971
It’s one thing to cancel a certain show that no longer gets good ratings, but it’s another entirely to cancel an entire subgenre of TV without giving the audience the chance to properly say goodbye. Unfortunately, that’s what the networks (primarily CBS) did back in the spring of 1971 after the success of more suburban or urbanized shows like All in the Family, The Mary Tyler Moore Show, and even the original Hawaii Five-O (not to mention The Sonny and Cher Comedy Hour, the legal drama McCloud, and The Odd Couple). The previous year, the networks gave audiences a foretaste of what was to come by cancelling shows like Petticoat Junction and Gomer Pyle, U.S.M.C., but, as explained in The Washington Post, that was only the beginning.
It soon became clear the following spring that the networks had run out of patience with the rural-themed programs that generally oversaturated the television market. Hoping to make more room for shows that would appeal to younger demographics, network executives, primarily CBS frontman Fred Silverman, who was once called “the first executive who grew up on television,” nearly eradicated the rural sitcoms and other blue-collar/family-friendly programs airing at the time. “It was the year CBS killed everything with a tree in it,” actor Pat Buttram of Green Acres fame (which was also cancelled) is famously noted saying, according to MeTV. Not even Lassie was safe, and the infamous Rough Collie was pushed into syndication for her remaining years.
Among the other shows canceled during the aftermath of the 1970-71 “rural purge” were The Beverly Hillbillies, Hee Haw, Hogan’s Heroes (which wasn’t exactly rural but still old-school enough to appeal to the demographic CBS was looking to drop), The High Chaparral, and the popular Western program The Virginian, which was rebranded as The Man from Shilohin its final season. Even the Man in Black himself, Johnny Cash, saw his country music-themed variety show, The Johnny Cash Show, canceled as a result. Though The Andy Griffith Show had ended a few years prior, it had continued through its sequel series, Mayberry R.F.D., which CBS likewise cancelled alongside Griffith’s latest sitcom, The New Andy Griffith Show (which bore no connection to the original other than a similar name). But the purge didn’t stop there.
‘Gunsmoke’ & ‘Bonanza’ Were Also Axed
Though some familiar rural-centric programs such as Gunsmoke, Bonanza, The Partridge Family, and Alias Smith and Jones all held on for dear life, none of them lasted more than a few years. “Networks rode westerns into the ground,” The New York Times wrote years later when looking back at the impact oversaturation can have on the television industry, and in this case they were right. Only, to make matters worse, many of these shows (Gunsmoke and Bonanza in particular) still had strong ratings attached to them. Nevertheless, the network deemed their audiences “too old and too rural” and NBC canceled Bonanza (which had been renamed Ponderosa at the time) in 1973 while in the middle of preparations for another season. CBS would likewise cancel Gunsmoke after its 20th season, according to The Gunsmoke Chronicles.
“CBS has done something Indians, bad guys, bad whisky and not even CBS could do earlier: Kill off U.S. Marshal Matt Dillon,” The Associated Press wrote about Gunsmoke‘s anticlimactic ending. “A few years ago CBS tried to remove the show but was met by such audience protests that the network had to renew the series.” But this time Gunsmoke wasn’t saved, and thus the “rural purge” officially ended with the death of Marshal Dillon. Of course, Gunsmoke would be revived later on through a series of made-for-TV movies, as would Bonanza, but neither series was ever really the same, nor would any later attempt be able to capture the magic that was each series’ initial run. Gunsmoke in particular suffered in only centering on Marshal Dillon himself, unable to reunite the entire cast for more adventures.
“Whether it was a strict business maneuver based on a smaller advertiser demand for these shows’ large audiences or Mr. Silverman’s personal bias, a cultural sting was associated with the purge,” wrote The Washington Post in 2004, decades after the “rural purge” came and went. “[It] is still recalled bitterly by the show’s producers and performers, as well as by their old fans.” It’s no wonder why. Many of these shows were cancelled without proper endings or official farewells from cast and crew members alike, not to mention the fans themselves. It’s a wonder viewership didn’t tank in the years following, though the big three networks certainly found new audiences with their appeal to more urban-focused entertainment. Nevertheless, rural audiences still had stories to tell, and eventually, they were allowed to be told again.
‘The Waltons’ Was a Big Success
One show that did manage to skirt past the network executive’s axe was the Depression-era dramaThe Waltons. Itself based on a 1963 film titled Spencer’s Mountain, The Waltons began in 1972, likely as a response to the audience’s reaction to the “rural purge” itself. This time, viewers proved their loyalty and The Waltons remained on air for nine seasons until 1981. Even after that, both CBS and NBC aired TV movies about the titular family, continuing the story well into the end of the 20th century. It was the success of The Waltons that proved once again to the networks that family-oriented, rural programming can bring mass appeal, much to the network’s dismay.
“When CBS initially put on the show, the story is that [CBS] did it to appease Congress,” said actress Kami Cotler, who played Elizabeth Walton on the series. “Congress had been having hearings about the quality of television. The rumor was that they put it against Flip Wilson and The Mod Squad because they didn’t think it would survive. They thought, ‘We can just tell Congress America doesn’t want to see this.'” Turns out, CBS was mistaken. The overnight success of The Waltons no doubt led to other shows such as Little House on the Prairie, based on the best-selling books by Laura Ingalls Wilder, to get greenlit at NBC. Little House, which starred former Bonanza cast member Michael Landon, would likewise last nine seasons, and spawn three additional made-for-TV movies to wrap it all up.
